501 MONO | ||||
| Haute Fidélité | fr | France | 06/2014 | |
| The Absolute Sound | en | USA | 10/2013 | |
| Audio Accessory | jp | Japan | 09/2013 | |
520 PRE | ||||
| HiFi+ | en | UK | 06/2016 | |
| Audio Review | it | Italy | 05/2015 | |
| Haute Fidélité | fr | France | 06/2014 | |
| The Absolute Sound | en | USA | 10/2013 | |
| Fedeltà del Souno | it | Italy | 08/2013 | |
530 INT | ||||
| Fidelity | de | Germany | 02/2015 | |
| hifi-voice.com | cz | Czech Republic | 02/2014 | |
| HiFi Review | cn | Hong Kong | 11/2013 | |
| Stereo | de | Germany | 09/2013 | |
| enjoythemusic.com | en | USA | 03/2013 | |
| hifichile.cl | en | Chile | 12/2012 | |
540 SACD | ||||
| ReMusic.com | en | Italy | 05/2012 | |
| HiFi News | en | UK | 10/2011 | |
| HighFidelity.pl | pl | Poland | 07/2011 | |
| 6moons.com | en | Poland | 07/2011 | |
| Audio Video Magazine | cze | Czech Republic | 05/2011 | |
| Audio Art Magazine | chi | Taiwan | 05/2011 | |
| Music Emotion | dut | Netherlands | 04/2011 | |
541 SACD | ||||
| Fidelity | de | Germany | 02/2015 | |
700 MONO | ||||
| HiFi Review | chn | Hong Kong | 12/2011 | |
| Audio Art | chn | Taiwan | 10/2011 | |
| The Absolute Sound | eng | USA | 02/2010 | |
| i-fidelity.net | ger | Germany | 10/2009 | |
| Stereo | ger | Germany | 06/2009 | |
| Stereosound Grandprix | jpn | Japan | Issue 169 | |
701 MONO | ||||
| The Absolute Sound | en | USA | 12/2014 | |
| HiFi Voice | cz | Czech Republic | 11/2014 | |
710 STEREO | ||||
| Guide Fedelta del Suono | it | Italy | 03/2012 | |
| Stereophile | en | USA | 10/2011 | |
| i-fidelety.net | ger | Germany | 12/2010 | |
| The Absolute Sound | eng | USA | 02/2010 | |
| Audio Review | ita | Italy | 11/2008 | |
| Revue du son | fre | France | 09/2008 | |
| StereoSound | jpn | Japan | 03/2008 | |
| AudioArt | chi | Taiwan | 03/2008 | |
| HI-FI & HI-VI Monthly | chi | Taiwan | 02/2008 | |
| AudioArt | chi | Taiwan | 01/2008 | |
| StereoSound-Grandprix 2007 | jpn | Japan | 12/2007 | |
| StereoSound - 01 | jpn | Japan | 12/2007 | |
| StereoSound - 02 | jpn | Japan | 12/2007 | |
| Audio HiFi & Hometheater | kor | Korea | 10/2007 | |
| Audio HiFi & Hometheater | kor | Korea | 09/2007 | |
| AV-Magazin | ger | Germany | 03/2007 | |
| HiFi Review HongKong | chi | Hong Kong | 01/2007 | |
| Image HiFi | ger | Germany | 11/2006 | |
| LP | ger | Germany | 06/2006 | |
| HiFi & Records | ger | Germany | 01/2006 | |
| Stereo | ger | Germany | 10/2006 | |
711 STEREO | ||||
| The Absolute Sound | en | USA | 12/2014 | |
720/721 PRE | ||||
| HighFidelity.pl | en | Poland | 10/2012 | |
| HiFi Review | chn | Hong Kong | 12/2011 | |
| i-fidelety.net | ger | Germany | 12/2010 | |
| The Absolute Sound | eng | USA | 10/2010 | |
| Stereo | ger | Germany | 06/2009 | |
| Audio Review | ita | Italy | 11/2008 | |
| Revue du son | fre | France | 09/2008 | |
| StereoSound | jpn | Japan | 03/2008 | |
| AudioArt | chi | Taiwan | 03/2008 | |
| HI-FI & HI-VI Monthly | chi | Taiwan | 02/2008 | |
| AudioArt | chi | Taiwan | 01/2008 | |
| StereoSound-Grandprix 2007 | jpn | Japan | 12/2007 | |
| StereoSound - 01 | jpn | Japan | 12/2007 | |
| StereoSound - 02 | jpn | Japan | 12/2007 | |
| Audio HiFi & Hometheater | kor | Korea | 10/2007 | |
| Audio HiFi & Hometheater | kor | Korea | 09/2007 | |
| AV-Magazin | ger | Germany | 03/2007 | |
| HiFi Review HongKong | chi | Hong Kong | 01/2007 | |
| Image HiFi | ger | Germany | 11/2006 | |
| HiFi & Records | ger | Germany | 10/2006 | |
| LP | ger | Germany | 05/2006 | |
| Stereo | ger | Germany | 05/2006 | |
725 PRE | ||||
| The Absolute Sound | en | USA | 12/2014 | |
740/745 SACD | ||||
| HiFi Review | chn | Hong Kong | 12/2011 | |
| HighFedlity.pl | en | Poland | 10/2011 | |
| Audio Art | chn | Taiwan | 10/2011 | |
| Fidelity | nor | Norway | 03/2011 | |
| Stereo | ger | Germany | 06/2009 | |
| Audio Review | ita | Italy | 01/2009 | |
| HiFi&Records | ger | Germany | 01/2009 | |
| Image Hifi | ger | Germany | 09/2008 | |
| HiFi Review | chi | Hong Kong | 06/2008 | |
| AV-Magazin | ger | Germany | 11/2007 | |
750/751 PHONO | ||||
| HiFi Review | chn | Hong Kong | 12/2011 |
