{"id":723,"date":"2017-05-13T13:25:30","date_gmt":"2017-05-13T13:25:30","guid":{"rendered":"http:\/\/soulution-audio.com\/?page_id=723\/"},"modified":"2021-06-23T15:38:39","modified_gmt":"2021-06-23T15:38:39","slug":"rezensionen","status":"publish","type":"page","link":"https:\/\/soulution-audio.com\/de\/ueber-soulution\/rezensionen\/","title":{"rendered":"Rezensionen"},"content":{"rendered":"\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t

311 POWER <\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn<\/td>Hongkong<\/td>12\/2019<\/td><\/td>\n<\/tr>\n
HiFi+<\/a><\/td>en<\/td>UK<\/td>05\/2019<\/td><\/td>\n<\/tr>\n

312 POWER<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Audio-2G<\/a>
\n<\/td>		it<\/td>Italy<\/td>06\/2024<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a>
\n<\/td>		en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n
Positive Feedback<\/a><\/td>en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n

325 PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn <\/td>Hongkong<\/td>12\/2019<\/td><\/td>\n<\/tr>\n
HiFi+<\/a><\/td>en<\/td>UK<\/td>05\/2019<\/td><\/td>\n<\/tr>\n

326 PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Audio-2G<\/a>
\n<\/td>		it<\/td>Italy<\/td>06\/2024<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a>
\n<\/td>		en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n
Positive Feedback<\/a><\/td>en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n

330 INTEGRATED<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Audio-2G<\/a><\/td>it<\/td>Italy<\/td>11\/2024<\/td><\/td>\n<\/tr>\n
twitteringmachines.com<\/a><\/td>en<\/td>USA<\/td>11\/2023<\/td><\/td>\n<\/tr>\n
fairaudio.de<\/a><\/td>ger<\/td>Germany<\/td>01\/2021<\/td><\/td>\n<\/tr>\n
Stereo<\/a><\/td>en<\/td>Germany<\/td>08\/2020<\/td><\/td>\n<\/tr>\n
Haute Fidelit\u00e9<\/a><\/td>en<\/td>France<\/td>10\/2019<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a> <\/td>en<\/td>USA<\/td>07\/2019<\/td><\/td>\n<\/tr>\n
AUDIO Swiss<\/a><\/td>de<\/td>Germany<\/td>02\/2019<\/td><\/td>\n<\/tr>\n
HiFi&Records<\/a><\/td>de<\/td>Germany<\/td>01\/2019<\/td><\/td>\n<\/tr>\n
Novo Highend<\/a><\/td>en<\/td>Canada<\/td>12\/2018<\/td><\/td>\n<\/tr>\n
Enjoy The Music<\/a><\/td>en<\/td>Canada<\/td>10\/2018<\/td><\/td>\n<\/tr>\n
HiFi.nl<\/a><\/td>nl<\/td>Netherlands<\/td>09\/2018<\/td><\/td>\n<\/tr>\n
Audio Art Magazine<\/a><\/td>cn<\/td>Taiwan<\/td>06\/2018<\/td><\/td>\n<\/tr>\n
SoundStageAustralia.com<\/a><\/td>en<\/td>Australia<\/td>06\/2018<\/td><\/td>\n<\/tr>\n
MY-HiEND<\/a><\/td>cn<\/td>Taiwan<\/td>01\/2018<\/td><\/td>\n<\/tr>\n

331 INTEGRATED<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Twittering Machines<\/a><\/td>en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n
HiFi.nl<\/a><\/td>nl<\/td>Netherlands<\/td>10\/2024<\/td><\/td>\n<\/tr>\n

350 PHONO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a>
\n<\/td>		en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n

501 MONO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Haute Fid\u00e9lit\u00e9<\/a><\/td>fr<\/td>France<\/td>06\/2014<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>10\/2013<\/td><\/td>\n<\/tr>\n
Audio Accessory<\/a><\/td>jp<\/td>Japan<\/td>09\/2013<\/td><\/td>\n<\/tr>\n

511 STEREO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
fairaudio.de<\/a><\/td>ger<\/td>Germany<\/td>06\/2022<\/td><\/td>\n<\/tr>\n
Enjoy The Music<\/a><\/td>en<\/td>USA<\/td>03\/2020<\/td><\/td>\n<\/tr>\n
Audio Art Magazine<\/a><\/td>cn<\/td>Taiwan<\/td>10\/2017<\/td><\/td>\n<\/tr>\n
Fidelity<\/a><\/td>ger<\/td>Germany<\/td>07\/2017<\/td><\/td>\n<\/tr>\n

520 PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HiFi+<\/a><\/td>en<\/td>UK<\/td>06\/2016<\/td><\/td>\n<\/tr>\n
Audio Review<\/a><\/td>it<\/td>Italy<\/td>05\/2015<\/td><\/td>\n<\/tr>\n
Haute Fid\u00e9lit\u00e9<\/a><\/td>fr<\/td>France<\/td>06\/2014<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>10\/2013<\/td><\/td>\n<\/tr>\n
Fedelt\u00e0 del Souno<\/a><\/td>it<\/td>Italy<\/td>08\/2013<\/td><\/td>\n<\/tr>\n

525 INT<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
fairaudio.de<\/a><\/td>ger<\/td>Germany<\/td>06\/2022<\/td><\/td>\n<\/tr>\n

530 INT<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Ananlogue Audio Association<\/a><\/td>ger<\/td>Switzerland<\/td>10\/2017<\/td><\/td>\n<\/tr>\n
Fidelity<\/a><\/td>de<\/td>Germany<\/td>02\/2015<\/td><\/td>\n<\/tr>\n
hifi-voice.com<\/a><\/td>cz<\/td>Czech Republic<\/td>02\/2014<\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn<\/td>Hong Kong<\/td>11\/2013<\/td><\/td>\n<\/tr>\n
Stereo<\/a><\/td>de<\/td>Germany<\/td>09\/2013<\/td><\/td>\n<\/tr>\n
enjoythemusic.com<\/a><\/td>en<\/td>USA<\/td>03\/2013<\/td><\/td>\n<\/tr>\n
hifichile.cl<\/a><\/td>en<\/td>Chile<\/td>12\/2012<\/td><\/td>\n<\/tr>\n

540 SACD<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
ReMusic.com<\/a><\/td>en<\/td>Italy<\/td>05\/2012<\/td><\/td>\n<\/tr>\n
HiFi News<\/a><\/td>en<\/td>UK<\/td>10\/2011<\/td><\/td>\n<\/tr>\n
HighFidelity.pl<\/a><\/td>pl<\/td>Poland<\/td>07\/2011<\/td><\/td>\n<\/tr>\n
6moons.com<\/a><\/td>en<\/td>Poland<\/td>07\/2011<\/td><\/td>\n<\/tr>\n
Audio Video Magazine<\/a><\/td>cze<\/td>Czech Republic<\/td>05\/2011<\/td><\/td>\n<\/tr>\n
Audio Art Magazine<\/a><\/td>cn<\/td>Taiwan<\/td>05\/2011<\/td><\/td>\n<\/tr>\n
Music Emotion<\/a><\/td>dut<\/td>Netherlands<\/td>04\/2011<\/td><\/td>\n<\/tr>\n

541 SACD<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Fidelity<\/a><\/td>de<\/td>Germany<\/td>02\/2015<\/td><\/td>\n<\/tr>\n

560 DAC<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Fidelity<\/a><\/td>ger<\/td>Germany<\/td>07\/2017<\/td><\/td>\n<\/tr>\n
SoundStage! Ultra<\/a><\/td>en<\/td>USA<\/td>04\/2016<\/td><\/td>\n<\/tr>\n
HiFi Choice<\/a><\/td>pl<\/td>Poland<\/td>03\/2015<\/td><\/td>\n<\/tr>\n

700 MONO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn<\/td>Hong Kong<\/td>12\/2011<\/td><\/td>\n<\/tr>\n
Audio Art\u00a0<\/a><\/td>cn<\/td>Taiwan<\/td>10\/2011<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>eng<\/td>USA<\/td>02\/2010<\/td><\/td>\n<\/tr>\n
i-fidelity.net\u00a0<\/a><\/td>ger<\/td>Germany<\/td>10\/2009<\/td><\/td>\n<\/tr>\n
Stereo<\/a><\/td>ger<\/td>Germany<\/td>06\/2009<\/td><\/td>\n<\/tr>\n
Stereosound Grandprix<\/a><\/td>jpn<\/td>Japan<\/td>Issue 169<\/td><\/td>\n<\/tr>\n

701 MONO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
NEW Audiophile<\/a><\/td>cn<\/td>Hong Kong<\/td>05\/2017<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>12\/2014<\/td><\/td>\n<\/tr>\n
HiFi Voice<\/a><\/td>cz<\/td>Czech Republic<\/td>11\/2014<\/td><\/td>\n<\/tr>\n

710 STEREO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
Guide Fedelta del Suono<\/a><\/td>it<\/td>Italy<\/td>03\/2012<\/td><\/td>\n<\/tr>\n
Stereophile<\/a><\/td>en<\/td>USA<\/td>10\/2011<\/td><\/td>\n<\/tr>\n
i-fidelety.net<\/a><\/td>ger<\/td>Germany<\/td>12\/2010<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>eng<\/td>USA<\/td>02\/2010<\/td><\/td>\n<\/tr>\n
Audio Review<\/a><\/td>ita<\/td>Italy<\/td>11\/2008<\/td><\/td>\n<\/tr>\n
Revue du son<\/a><\/td>fre<\/td>France<\/td>09\/2008<\/td><\/td>\n<\/tr>\n
StereoSound<\/a><\/td>jpn<\/td>Japan<\/td>03\/2008<\/td><\/td>\n<\/tr>\n
AudioArt<\/a><\/td>cn<\/td>Taiwan<\/td>03\/2008<\/td><\/td>\n<\/tr>\n
HI-FI & HI-VI Monthly<\/a><\/td>cn<\/td>Taiwan<\/td>02\/2008<\/td><\/td>\n<\/tr>\n
AudioArt<\/a><\/td>cn<\/td>Taiwan<\/td>01\/2008<\/td><\/td>\n<\/tr>\n
StereoSound-Grandprix 2007<\/a><\/td>jpn<\/td>Japan<\/td>12\/2007<\/td><\/td>\n<\/tr>\n
StereoSound - 01<\/a><\/td>jpn<\/td>Japan<\/td>12\/2007<\/td><\/td>\n<\/tr>\n
StereoSound - 02<\/a><\/td>jpn<\/td>Japan<\/td>12\/2007<\/td><\/td>\n<\/tr>\n
Audio HiFi & Hometheater<\/a><\/td>kor<\/td>Korea<\/td>10\/2007<\/td><\/td>\n<\/tr>\n
Audio HiFi & Hometheater<\/a><\/td>kor<\/td>Korea<\/td>09\/2007<\/td><\/td>\n<\/tr>\n
AV-Magazin<\/a><\/td>ger<\/td>Germany<\/td>03\/2007<\/td><\/td>\n<\/tr>\n
HiFi Review HongKong<\/a><\/td>cn<\/td>Hong Kong<\/td>01\/2007<\/td><\/td>\n<\/tr>\n
Image HiFi<\/a><\/td>ger<\/td>Germany<\/td>11\/2006<\/td><\/td>\n<\/tr>\n
LP<\/a><\/td>ger<\/td>Germany<\/td>06\/2006<\/td><\/td>\n<\/tr>\n
HiFi & Records<\/a><\/td>ger<\/td>Germany<\/td>01\/2006<\/td><\/td>\n<\/tr>\n
Stereo<\/a><\/td>ger<\/td>Germany<\/td>10\/2006<\/td><\/td>\n<\/tr>\n

711 STEREO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
AudioArt<\/a><\/td>cn<\/td>Taiwan<\/td>12\/2016<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>12\/2014<\/td><\/td>\n<\/tr>\n
SoundStage! Ultra<\/a><\/td>en<\/td>USA<\/td>08\/2015<\/td><\/td>\n<\/tr>\n

717 STEREO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a>
\n<\/td>		en<\/td>USA<\/td>01\/2026<\/td><\/td>\n<\/tr>\n

720\/721 PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HighFidelity.pl<\/a><\/td>en<\/td>Poland<\/td>10\/2012<\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>chn<\/td>Hong Kong<\/td>12\/2011<\/td><\/td>\n<\/tr>\n
i-fidelety.net<\/a><\/td>ger<\/td>Germany<\/td>12\/2010<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>eng<\/td>USA<\/td>10\/2010<\/td><\/td>\n<\/tr>\n
Stereo<\/a><\/td>ger<\/td>Germany<\/td>06\/2009<\/td><\/td>\n<\/tr>\n
Audio Review<\/a><\/td>ita<\/td>Italy<\/td>11\/2008<\/td><\/td>\n<\/tr>\n
Revue du son<\/a><\/td>fre<\/td>France<\/td>09\/2008<\/td><\/td>\n<\/tr>\n
StereoSound<\/a><\/td>jpn<\/td>Japan<\/td>03\/2008<\/td><\/td>\n<\/tr>\n
AudioArt<\/a><\/td>chi<\/td>Taiwan<\/td>03\/2008<\/td><\/td>\n<\/tr>\n
HI-FI & HI-VI Monthly<\/a><\/td>chi<\/td>Taiwan<\/td>02\/2008<\/td><\/td>\n<\/tr>\n
AudioArt<\/a><\/td>chi<\/td>Taiwan<\/td>01\/2008<\/td><\/td>\n<\/tr>\n
StereoSound-Grandprix 2007<\/a><\/td>jpn<\/td>Japan<\/td>12\/2007<\/td><\/td>\n<\/tr>\n
StereoSound - 01<\/a><\/td>jpn<\/td>Japan<\/td>12\/2007<\/td><\/td>\n<\/tr>\n
StereoSound - 02<\/a><\/td>jpn<\/td>Japan<\/td>12\/2007<\/td><\/td>\n<\/tr>\n
Audio HiFi & Hometheater<\/a><\/td>kor<\/td>Korea<\/td>10\/2007<\/td><\/td>\n<\/tr>\n
Audio HiFi & Hometheater<\/a><\/td>kor<\/td>Korea<\/td>09\/2007<\/td><\/td>\n<\/tr>\n
AV-Magazin<\/a><\/td>ger<\/td>Germany<\/td>03\/2007<\/td><\/td>\n<\/tr>\n
HiFi Review HongKong<\/a><\/td>chi<\/td>Hong Kong<\/td>01\/2007<\/td><\/td>\n<\/tr>\n
Image HiFi<\/a><\/td>ger<\/td>Germany<\/td>11\/2006<\/td><\/td>\n<\/tr>\n
HiFi & Records<\/a><\/td>ger<\/td>Germany<\/td>10\/2006<\/td><\/td>\n<\/tr>\n
LP<\/a><\/td>ger<\/td>Germany<\/td>05\/2006<\/td><\/td>\n<\/tr>\n
Stereo<\/a><\/td>ger<\/td>Germany<\/td>05\/2006<\/td><\/td>\n<\/tr>\n

725 PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
NEW Audiophile<\/a><\/td>cn<\/td>Hong Kong<\/td>05\/2017<\/td><\/td>\n<\/tr>\n
AudioArt<\/a><\/td>cn<\/td>Taiwan<\/td>12\/2016<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>12\/2014<\/td><\/td>\n<\/tr>\n

727 PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>12\/2023<\/td><\/td>\n<\/tr>\n
HiFi.nl<\/a><\/td>nl<\/td>Netherlands<\/td>05\/2024<\/td><\/td>\n<\/tr>\n
Stereophile<\/a><\/td>en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n

740\/745 SACD<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn<\/td>Hong Kong<\/td>12\/2011<\/td><\/td>\n<\/tr>\n
HighFedlity.pl<\/a><\/td>en<\/td>Poland<\/td>10\/2011<\/td><\/td>\n<\/tr>\n
Audio Art<\/a><\/td>cn<\/td>Taiwan<\/td>10\/2011<\/td><\/td>\n<\/tr>\n
Fidelity<\/a><\/td>nor<\/td>Norway<\/td>03\/2011<\/td><\/td>\n<\/tr>\n
Stereo<\/a>\u00a0<\/td>ger<\/td>Germany<\/td>06\/2009<\/td><\/td>\n<\/tr>\n
Audio Review<\/a><\/td>ita<\/td>Italy<\/td>01\/2009<\/td><\/td>\n<\/tr>\n
HiFi&Records<\/a><\/td>ger<\/td>Germany<\/td>01\/2009<\/td><\/td>\n<\/tr>\n
Image Hifi<\/a><\/td>ger<\/td>Germany<\/td>09\/2008<\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn<\/td>Hong Kong<\/td>06\/2008<\/td><\/td>\n<\/tr>\n
AV-Magazin<\/a><\/td>ger<\/td>Germany<\/td>11\/2007<\/td><\/td>\n<\/tr>\n

750\/751 PHONO<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
HiFi Review<\/a><\/td>cn<\/td>Hong Kong<\/td>12\/2011<\/td><\/td>\n<\/tr>\n

755 PHONO PRE<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>04\/2017<\/td><\/td>\n<\/tr>\n

757 DE-EMPHASIS PRE<\/h4><\/td>

en<\/td>USA<\/td>04\/2017<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>12\/2024<\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>01\/2025<\/td><\/td>\n<\/tr>\n

760 DAC<\/h4><\/td>

<\/td><\/td><\/td><\/td>\n<\/tr>\n
The Absolute Sound<\/a><\/td>en<\/td>USA<\/td>01\/2024<\/td><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":720,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-723","page","type-page","status-publish","entry"],"featured_image_src":null,"featured_image_src_square":null,"_links":{"self":[{"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/pages\/723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/comments?post=723"}],"version-history":[{"count":5,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/pages\/723\/revisions"}],"predecessor-version":[{"id":1640,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/pages\/723\/revisions\/1640"}],"up":[{"embeddable":true,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/pages\/720"}],"wp:attachment":[{"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/media?parent=723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/categories?post=723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/soulution-audio.com\/de\/wp-json\/wp\/v2\/tags?post=723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}